CCJ arranges an annual year-end trophy competition for its members, where its members submit images in twelve different categories. The winning image in each category, as well the the club’s digital image of the year, are chosen by a panel of three independent judges. The winning images for CCJ’s recent year-end competitions are below.
In addition, CCJ also arranges an annual competition for its members, where members submit a portfolio of six images with an accompanying article or story relating to the images. Scroll down to see the the winning panel of images for the recent portfolio trophy competitions.
2023 CCJ Annual Trophy – winning & runner-up images
Digital Image of the year:
Photographer of the year: Monique Adams
- based on all points scored at CCJ during the year, as well as salon acceptances and awards
Club Excellence Trophy: Gaby Grohovaz
- based on points scored for CCJ judging and participation in club events
Best Beginner images:
Best Creative Experiment images:
Best Nature images:
Best Photo Art images:
Best Photojournalism images:
Best Social Comment images:
Best People & Portraiture images:
Best Still Life images:
Best Landscape images:
Best Travel images:
Best Wildlife & Animal images:
2022 CCJ Annual Trophy – winning & runner-up images
Digital Images of the year:
Best Beginner images:
Best Computer Enhanced images:
Best Nature images:
Best Photo Art – Creative images:
Best Photo Art – Abstract images:
Best Photojournalism images:
Best Open Pictorial images:
Best People & Portraiture images:
Best Sports & Action images:
Best Landscape images:
Best Scenic & Travel images:
Best Wildlife images:
Des Berkowitz Portfolio Trophy 2022
This is an annual competition for CCJ’s members, where members submit a portfolio of six images with an accompanying article or story relating to the images. In 2022, the theme was “Man versus Nature’ and Mark Geldenhuys was the winner with his portfolio.
Man has always sought to conquer the oceans and for the most he has.
There are times however, be it through human error, inclement weather or even equipment failure that the environment trumps man and consumes all the man made devices.
In my series, I hope to portray how the environment has claimed the manmade structures and enveloped them and ultimately incorporated them into the environment and slowly started the recycle process to absorb and consume these man-made monstrosities and while this is happening create new reefs and homes for the underwater marine life.
The wreck shown in the images is the Chrisoula K which ran aground on the Sha’ab Abu Nuhas, right next to other famous shipwrecks of the northern Red Sea, including the Kimon M, the Carnatic, and the Giannis D. The Chrisoula K was over 100 metres long and 15 metres wide, with a nine-cylinder diesel engine.
The ship weighed in at 3 720 tonnes and yet was no match for the Abu Nuhas reef and remains on the floor at a depth of between 27m up to 4 m near the surface.
The wreck has been colonised by a very active and healthy marine eco system who ultimately will consume the wreck given enough time.
In the interim, it has become home for a very diverse eco system which is healthy and has adapted the wreck as part of the eco system.
The big challenge in documenting this portfolio is the underwater environment which is not conducive to photography as all colour bar a blue grey monotone disappears once one reaches a depth of 9m from either the surface or the light source.
To restore the vibrant colours I had to use a combination of underwater strobes and powerful video lights to regain some of the natural colours.
2021 CCJ Annual Trophy – winning images
Image of the year & Social comment category winner:
Des Berkowitz Portfolio Trophy 2021
This is an annual competition for CCJ’s members, where members submit a portfolio of six images with an accompanying article or story relating to the images. In 2021, Monique Adams was the winner with her portfolio titled ‘Animals’.
“Originally, I choose People as my topic for this year’s portfolio trophy. However, the onset of the calamitous third wave meant that this was not possible, so I opted for Animals instead.
As you well know, bird, wildlife and nature photography are my genres and the lack of international tourists in South Africa this year meant that I had ‘once in a lifetime’ opportunities to visit some of South Africa’s top wildlife destinations at affordable prices and in Covid safe conditions.
The images selected in my portfolio submission represent as wide as wide a range of the wildlife I saw and photographed this year as possible. The meerkats were photographed at Tswalu which is situated in the arid Kalahari region. The animals are habituated yet wild and to obtain this image, I had to lie on the ground on a mat and spend several hours trying to predict out of which burrow they would emerge and then capture them as they ran around at breakneck speed. The honey badger is difficult to find never mind photograph and I have only ever had a quick glimpse of them as they run across the road or dive into their burrows. I was delighted therefore to catch this youngster emerging from her burrow in the Sabi Sands. We had tracked her in an ever-decreasing circle before we found her burrow and staked her out until she finally emerged. The lion headshot is of two lions mating. To find lions mating is difficult and when you do, they usually hide in the long grass or present you with a rear view. This time we found this pair mating in the open at Mashatu in the Tuli Block in Botswana in perfect light and were able to manoeuvre ourselves into the perfect position. The side striped jackal is a notoriously shy animal unlike it’s much more commonly seen cousin, the black backed jackal. So, I was thrilled to have this one coming in to drink at the overnight hide at Zimanga in Kwa-Zulu/Natal in the dead of the night. The challenge here was to keep very quiet as they are very skittish and then to capture the animal at very low shutter speeds. The hide has some side lights shining on to the waterhole, but no flash or spotlight is used. Finally, my best sightings and photo opportunities this year have been with leopards in the Sabi Sands.
Firstly, we had the amazing opportunity to photograph a leopard making a kill, dragging it to a tree, ascending the tree with the kill and then finally and triumphantly taking a much-needed break! Here the challenge was photographing using the spotlight and a fixed 400mm lens. I used the fixed lens as opposed to the zoom as it has a lower f stop and the light was obviously poor. I also wanted to bring out the marvellous blue sky in the background. To get the shot I had to lean right back in the safari vehicle to get the angle with the lens propped precariously on a beanbag atop my knee. Once I had the image, it was quite a puzzle as to how I was going to bring myself back into an upright position whilst securing the lens. The second sighting was of a mother leopard with her cubs. We watched in amazement as she interreacted with each one in turn. Again, I opted to use my 400mm prime lens as this was such a ‘once in a lifetime’ sighting that I wanted to get the best image possible. It was a risk as they were actively moving around, and I had to be careful not to cut off ears and tails. This time I was crouching down as far as possible and had to watch my speed to ensure the image sharpness. So, lots to think about in physically challenging conditions. I hope you have enjoyed the images and have had a taste of our wonderful wildlife heritage.”